Undergrid Four (of Fifty)

The abstract images I’m making for undergrids are probably a bit bland and puzzling for you, so here are a few things that might put them in context.

  • Each picture titled “Undergrid” is a visual representation of the ideas behind Undergrids (see definition.) It is a representation of the complex, fractal, grid of relationships each of us has with other people and foreign objects, a grid that determines identity and meaning. So, each “Undergrid painting is a picture of my undergrid and in that sense, a self-portrait.
  • Each picture with its overcrowded multiplicity of shapes and connections represents how I experience the world. I often feel overwhelmed and overstimulated by too many things, people, and complex systems. (In future articles, I’m planning to write about Concentration Deficit Disorder.) The world seems to generate an overwhelming surplus of objects, and I have trouble screening out the noise to get to the signal. So, the images look jam-packed with “noisy objects” and it is hard to know which one to look at.
  • Each picture is a kind of Mandala. So making them is very calming and meditative. The way some people color in mandalas with colored pencils in coloring books, I draw “Undergrids.”

Notice that Undergrids do not have the formal balance and geometric structure of Mandalas. Despite studying mathematics and formal geometry, my raw phenomenological experience tends to be more disorganized and chaotic.

2 thoughts on “Undergrid Four (of Fifty)”

  1. Hey Sean –
    Outstanding work. Flirting with what I like to call ‘The Lunatic Fringe’ is always attractive to me. Once again you demonstrate that you art the smartest person I know.
    Michael.

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