
the absent minded #1

Because you're always already entangled in a mesh.
Now that my daughter is eighteen and making movies of her own, I’m anticipating having more time for my own filmmaking. To get an idea of the style and content of the movies I plan to make, check out this short that I wrote and directed, Melancholy Baby.
There are elements of The Weird and The Eerie, as well as the use of subjective sound that I plan to use in a feature project I’m writing, Birth Mother.
Just click PLAY and watch!
Here is a one-hour webinar on writing the short film. I hope you find it both useful and amusing.
Drawing on 20 years of experience as a screenwriter in Hollywood, and 10 years of experience as a professor at USC’s School of Cinematic Arts, Sean Hood (that’s me) gives you tips and insights about writing short films. For experts, film students, and beginners alike.
If you liked the webinar, you can review many of the concepts I teach at USC School of Cinematic Arts on my previous blog, Genre Hacks:
Writing the Short Script: Week One
Writing the Short Script: Week Two
Unlike a culture, subculture, or community, or family an
We each have deep relationships with roughly one hundred people. This mesh of connections is a tribal
An artist is responsible
A human being thrives by cultivating and curating
This blog is about tending undergrids. So, you are reading this sentence because you belong to mine.